Glitch art traces its roots to the mid-20th century when artists like Nam June Paik began manipulating television signals to create visual distortions. By the 1990s, digital artists were intentionally corrupting file headers, bending data, and exploiting software errors to produce images that existed in the space between intention and accident.
The aesthetic gained mainstream visibility in the 2010s through music culture — Kanye West's Yeezus artwork, electronic music visualizers, and the widespread adoption of glitch effects in video production. Tools like datamoshing and hex editing became creative instruments rather than debugging techniques.
On the web, glitch art translates into CSS animations that simulate signal corruption, chromatic aberration through layered text-shadows, and interfaces that appear to be actively breaking down. It rejects the web's obsession with pixel-perfect polish and asks: what if the error is the message? In a world of sanitized design systems, glitch art is a reminder that digital systems are fragile — and that fragility can be beautiful.